Outsider Art Fair NYC
Klára Lakatos & Eileen Weitzman
Outsider Art Fair New York, Booth B4
March 19 - March 22, 2026
About
We are pleased to announce our second participation in the Outsider Art Fair in New York. This year the gallery will present the work of two remarkable artists, the returning Klára R. Lakatos, and Eileen Weitzman, whose practices approach storytelling, identity, and social experience through richly imaginative visual languages.
The Outsider Art Fair has long been one of the most important international platforms dedicated to self-taught artists and artists working outside traditional art world structures. Bringing together galleries and artists from around the world, the fair highlights work that is deeply personal, inventive, and often shaped by life experiences beyond conventional academic training.
We warmly invite you to visit us at Booth B4 during the fair and experience these compelling works in person.
Artists
Hungarian artist Klára Lakatos is of Romani origin. Born in 1968, she grew up in Tyukod, a village in eastern Hungary near the Romanian–Ukrainian border. Lakatos began drawing in the mid-1990s and has exhibited internationally since 1999.
Her paintings draw on personal mythology, cultural memory, and the layered realities of Roma identity. Stylized figures, animals, and hybrid creatures inhabit vibrant compositions where beauty and tension coexist. Through bold color and rhythmic arrangements, Lakatos creates scenes that feel both intimate and archetypal. Her work was included in the 58th Venice Biennale as part of the FutuRoma project.
Alongside, the gallery will present sculptural and mixed-media works by self-taught American artist Eileen Weitzman, whose vibrant constructions combine textiles, photography, and found materials.
Weitzman creates fantastical narrative environments where figures emerge from layered structures of fabric and stitched surfaces. While visually playful and energetic, her work addresses complex social issues including feminism, racism, colonialism, and capitalism. Drawing on her background as a political activist and attorney, she often depicts female figures attempting to break free from enclosed spaces—kitchens, courtrooms, prisons, or even their own bodies.